lilac_ayame, if you're reading this, Tree with Deep Roots is totally your type of drama.
So, the first thing that made me watch this was (let's just be honest here) Song Joong-ki. I've been a fan since Sungkyunkwan Scandal, loved his depiction of the flamboyant Yeorim, then found out that he was in Triple (ha! I actually watched that one too, without noticing him in it) and WISFC (cameo?). Of course, I knew he was on Running Man for a while, but I'm not the variety type of person.
So, yeah, back to TWDR. I happened to be a sageuk/taiga/wuxia/whatever fan since a long time ago. I remember watching Heaven Sword, Dragon Saber back in the day. (Wuakakakk, bad wigs, wire effects FTW!) Only recently, I've caught on again with JIN, back in 2009, and it's sequel earlier this year. Then came along Bu Bu Jing Xin (OMG, freaking tragic story, I was so depressed after watching that), which made me realize I haven't watch the sageuk of all time, Dae Jang Geum. So I marathoned through all 50-something episodes and was mesmerized by the (of all things) costumes, which prompted me to find a more recent sageuk.
At that moment, KBS' The Princess' Man was on air, and I think, it was already about to end. I was rather turned off by the synopsis of the story: "The Romeo and Juliet of Joseon". I was like, "eeeek". So I turned to another sageuk which had just started at that point, which turned out to be TWDR. The brief synopsis was, "The investigation of murders during the week before the promulgation of the Hangeul alphabet". Me: "Oh, cool, like a procedural, but in Joseon?" Sure, why not? I watch CSI, NCIS, the Mentalist; TWDR would be a cool twist.
Cool twist, indeed.
It starts out with King Sejong (back then, known as Lee Do) during his regency reign, under the firm claws of his father, King Taejong. Now see, King Taejong is known as a tyrannical leader. He happened to annihilate certain families, along with the servants and followers, because he believed their ideology would be a threat towards the throne. Among the survivors are childhood friends, Ddol-Bok and Dam. Fate pull a twist that causes the two to be separated during the chaos, leading each to believe the other to be dead. Also among the few survivors, Jeong Ki-Jun, son to a certain house. So you see, the Jeong family believes that the King, rather than ruling the country on his own, should let noblemen take part in the government. The analogy is the noblemen shall be the root of the tree, while the King should be the flower that blooms on top.
Ddol-Bok, our dearest main character, believing that his friend Dam has been killed in the massacre, vows to avenge her death to the King. He doesn't know, and doesn't care, that it was actually Taejong acting behind the massacre, not Sejong. Young Sejong actually saves him from old man Taejong, but Ddol-Bok only shouts, "Bullshit!" at Sejong--a profanity that Sejong picks up later on as a habit.
Sejong is actually an intelligent person. His fathers actions (ie. the massacre) distresses him, but he has no powers--or rather he feels that he has no powers--over his father. The incident of him meeting Ddol-Bok and saving the kid from the pursuers was actually his first defiance against his father. Later on, Sejong finally finds his footing against his father and decides that he will be the exact opposite of his father. If his father chooses to eliminate his opponents, then Sejong chooses to embrace them through intelligence and wit. Taejong eventually passes away, and Sejong leads a time of peace and prosper for Joseon.
So time passes, Ddol-Bok has acquired a new name, Kang Chae-Yun, and has joined the guard, which puts him in the palace--one step closer to his revenge upon Sejong. Little does he know, that his Dam is also in the palace, as a palace lady serving the King. But just as Chae-Yun starts laying out his plans, incidents happen. Certain scholars are murdered using mysterious techniques, techniques that Chae-Yun happens to be familiar with, due to his experience in the army. Sejong is made aware of this, and appoints Chae-Yun to investigate these murders. Chae-Yun asks for a reward in return, to which Sejong agrees: a chance to accept a drink, personally poured by Sejong. It's a chance for revenge--and Sejong knows the beef Chae-Yun has for him--but Sejong agrees anyways.
This leads to all crooked mischief, wonder, and amazing plot and depiction throughout the whole drama. We see how Chae-Yun changes over the course, influenced by the superbly brilliant Sejong. We also see how Jeong Ki-Jun really is a rotten villain, with an unfortunately brilliant mind as well. The sparring between Sejong and Ki-Jun is awesomely balanced and philosophically deep. We also get to see Ki-Jun's assassin, the beautiful, beautiful Pyeong, and Sejong's loyal bodyguard, the sweet Mu-Hyul. Then there's the wonderful team of palace ladies, including Dam, and our young, unflinching prince Gwangpyeong.
I understand if not everyone could follow this drama. It's one of those dramas that require your attention and your brain to think. You HAVE to think, you're forced to think. You'll be amazed of what the characters try to relay every time they put forward a debate. This isn't your average romance sageuk, it's not even your typical searching-for-identity sageuk. It's a full-fledged philosophy/ideology sageuk. At emotional moments, it makes you cry; at intense moments, it makes you scream; at jokes, it makes you laugh. At all moments, it makes you think.
lilac_ayame, are you still there? There's only four episodes left, after that I recommend you to buy this series!! xDDD it's sooo you.